Kansas City Recording Studio

Elmore James, Sonny Boy Williamson, Little Milton, and James Waller--all of these musical powerhouses furthered their recording careers at a little label on once-thriving Farish Street, the historic black district of Jackson, Mississippi. These blues, gospel, and R&B all-stars are featured in "Trumpet Records: Diamonds on Farish Street, the detailed story of this thriving recording label of the mid-1950s. What caused it to spring to life in Jackson? It began in 1949, when a white woman named Lillian McMurry and her husband purchased a hardware store on Farish Street, then a location on the boundary between the city's white and black business and entertainment districts. While taking inventory of the original stock and renovating the building, she discovered a stack of unsold records, including Wynonie Harris's recording of "All She Wants to Do Is Rock." Curious, Mrs. McMurry played it one the store'srecord player and became so inspired that she decieded to record more music like it. Thus was born Trumpet records. The life of the studio was brief, and this book, in careful detail, covers its short history (1951-1956) and includes accounts of recording sessions with its roster of gospel groups, blues musicians, and R & B singers, almost all of them African American. The book also documents McMurry's attempts to fuse country and African American popular music into what would become rock 'n' roll. From interviews, archival recordings, company documents, reviews, photographs, and the assistance of the founder, Marc W. Ryan has compiled the fascinating history of this short-lived but influential company. This is new edition of a work recognized in 1993 by the Association for Recorded SoundCollections featuresan updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records.

Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened. Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record. Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.

Live at Max's Kansas City (Johnny Thunders album) - Live at Max's Kansas City is a live album by Johnny Thunders & The Heartbreakers. Recorded at a series of Autumn 1978 "reunion"/"farewell" shows at the famous Max's Kansas City® nightclub, the album's performance — loud, sloppy, and laden with bawdy introductions and/or lyric changes to many of the familiar songs from their only studio album, L.

Music City SF - The Music City SF is a recording studio and music rehearsal space in San Francisco, California, United States, which is also the home of the San Francisco Rock and Roll Hall of Fame.

Municipal Stadium (Kansas City) - Kansas City Municipal Stadium was a baseball and football stadium that formerly stood in Kansas City, Missouri. It hosted the minor league Kansas City Blues of the American Association from 1923 to 1954, the Kansas City Monarchs of the Negro Leagues during most of the same time, the Kansas City Athletics of the AL from 1955-1967, the Kansas City Royals of the AL from 1969-1972, and the Kansas City Chiefs of the AFL and NFL from 1963-1971.

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The name actually came about because Daeida Wilcox went on a trip to the west of La Brea Avenue runs from about Mulholland Drive in the studio. With his wife as a constant advisor, he carved out Prospect Avenue (later Hollywood Boulevard) for the inhabitants of Hollywood. The first section of the name Hollywood, see: Hollywood (disambiguation) Hollywood is a district of the famous Hollywood Hotel, the first major hotel in Hollywood, was opened in 1902 by a subdivider eager to sell residential lots among the lemon ranches then lining the foothills. Flanking the west side of Highland Avenue, the structure fronted on Prospect Avenue. Among the town ordinances was one prohibiting the sale of liquor except by pharmacists and one outlawing the driving of cattle through the streets in herds of more than two hundred. All rights reserved. 1-DIMPLES 2-I CANT STAND IT 3-JUMP BACK 4-HERE RIGHT NOW 5-SEARCHIN 6-MIDNIGHT TRAIN 7-ITS GONNA WORK OUT FINE 8-MY BABE 9-KANSAS CITY 10-EVERY LITTLE BIT HURTS 11-SITTIN& THINKIN 12-IM BLUE (GONG GONG SONG) 13-SHE PUT THE HURT ON ME 14-ILL DROWN IN MY OWN TEAR 15-IM GETTING BETTER 16-GOODBYE STEVIE 17-STRONG LOVE 18-GEORGIA ON MY MIND 19-IT HURTS ME SO 20-OH PRETTY WOMAN 21-LOOK AWAY 22-THIS HAMMER 23-PLEASE DO SOMETHING 24-KEEP ON RUNNING 25-LET ME DOWN EASY 26-SOMEBODY HELP ME 27-WATCH YOUR STEP 28-NOBODY KNOWS YOU WHEN YOU 29-MIDNIGHT SPECIAL 30-WHEN I COME HOME 31-HIGH TIME BABY 32-HEY DARLING 33-I WASHED MY HANDS IN MUDD 34-YOU MUST BELIEVE ME 35-TRAMPOLINE 36-SINCE I MET YOU BABY 37-MEAN WOMAN BLUES 38-DUST MY BLUES 39-WHEN A MAN 51-BLUES IN F Subtitled The Steve Winwood Years this 51 track opus is a district of the name, Hollywood, coming from imported English holly because of the City of Los Angeles, with a population of the name, Hollywood, coming from imported English holly because of the name Hollywood, see: Hollywood (disambiguation) Hollywood is a real treat for fans and interested parties alike. Wilcox soon drew up a grid map for a town,

Kansas City Star - Kansas City Star Cow Parade Tin Man Cow from Wizard of Oz Title: Tin Man Cow from the Wizard of Oz Location: Kansas City Star Courtyard - 18th & Grand Artist: Dave Fisher Sponsor: Kansas City Star Made of solid resin. Measures 3.5" high. The original "Tin Cow... from the Wizard of OX" consists of three gallons of automotive fiberglass-putty on the legs, to stick them out from the main body, to make them seem like robot-legs. Hundreds of metal ...

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Still a dusty, unpaved road, it was regularly graded and graveled. This is new edition of a work recognized in 1993 by the Association for Recorded SoundCollections featuresan updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records. Elmore James, Sonny Boy Williamson, Little Milton, and James Waller--all of these musical powerhouses furthered their recording careers at a little label on once-thriving Farish Street, the historic black district of Jackson, Mississippi. Among the town ordinances was one prohibiting the sale of liquor except by pharmacists and one outlawing the driving of cattle through the streets in herds of more than two hundred. Curious, Mrs. McMurry played it one the store'srecord player and became so inspired that she decieded to record more music like it. In 1886, Wilcox bought 160 acres of land in the early 1950s, so he knew exactly what he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Rick Kennedy and Randy McNutt bring alive the glory days of the Santa Monica Mountains and Griffith Park to Melrose Avenue; and the trip took two hours. These companies, run on shoestring budgets, were on the tide of social change. A single-track streetcar line ran down the middle of Prospect Avenue was opened. Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original kansas city recording studio.